I had underestimated the appeal of a free show with free Bass beer from eight to nine, fixated as I was to see Parts and Labor again since their Asterisk house party two years ago. The line in front of the Knitting Factory told it all, I immediately canceled my friends, don’t come, don’t bother, only the first two hundred get in, and I think I am number two hundred and two. Luckily, I felt lucky, and I got in before the show started.
Around nine Stay High from Brooklyn started playing. Two kids with a mixing board and a laptop that chew out old school electronics with a total lack of charisma or at least without the appearance that they enjoy performing in front of a crowd. I have trouble understanding the desire of people to perform who not even once seek to interact with the crowd of spectators. I can only recommend to anyone who does not feel born to be a star, don’t get on stage. The music was mediocre and not once comes close to being interesting. It was terribly boring to listen to Stay High, and the free show-free beer crowd had swelled to a peak presence. Around nine thirty, the word got out that the free Bass was gone. A relief and the gratuitous half of the visitors left within ten minutes.
But, as Parts and Labor, P&L set themselves and the room breathes a space of normality, where ordering a paid beer costs no bothersome effort, I get excited again. P&L is definitely one of my (many) favorite New York bands, they give a good show full of spirit, they have a sense for aesthetics, they think of themselves as icons. I know their songs, so when they started playing, I understand the sound, the atmosphere and the spirit of the moment without hesitation. Continue reading →